Tewa Artist Jason Garcia in Chaco




Tewa artist Jason Garcia combines traditional Pueblo art forms with pop culture. On this episode of Big Blend Radio, he discusses his art and recent National Parks Arts Foundation (NPAF) artist-in-residence experience at Chaco Culture National Historical Park in Northern New Mexico.


Jason Garcia (Okuu Pin) does what great artists have been doing since the beginning of time: he carefully examines and interprets life around him and then shares those uniquely personal observations with the rest of the world. In his finished work, most often clay tiles that are created in the traditional Pueblo way with hand-gathered clay, native clay slips, and outdoor firings, he transforms materials closely connected to the earth into a visually rich mix of Pueblo history and culture, comic book superheroes, video game characters, religious icons and all things pop culture.

The son of well-known Santa Clara Pueblo potters John and Gloria Garcia (known as Golden Rod), and the great-grandson of the equally revered Santa Clara potter Severa Tafoya, Garcia notes he has been an artist all his life.  He says, “I really don’t know much else…”

However, in 2002, when he created his first “graphic tile,” he secured this calling while simultaneously expanding the norms of contemporary Pueblo pottery. His creative experimentation seamlessly blended ancient Pueblo designs, stories, and scenery with images taken from Western popular culture. In his seminal piece “Grand Theft Auto – Santa Clara Pueblo,” for instance, Garcia replaced the illustrations from the cover of the video game Grand Theft Auto with scenes from Pueblo life, deftly joining worlds that may, to outsiders, seem unrelated.

Since that time, he has participated in several significant exhibitions including Comic Art Indigene at both the Museum of Indian Arts and Culture in Santa Fe, New Mexico and the Smithsonian National Museum of the American Indian in Washington, DC and Native Pop! at the New Mexico Museum of Art in Santa Fe, New Mexico.  Garcia has also received numerous awards and honors including a Ronald N. and Susan Dubin Fellowship at the School for Advanced Research, and both the coveted Best of Classification and Artist’s Choice awards at the world-famous Santa Fe Indian Market. Important museums have purchased his work for their collections, as well, including the Heard Museum in Phoenix, Arizona, and the Smithsonian National Museum of the American Indian in Washington, DC.

With a number of artistic accolades already under his belt, Garcia shows no signs of slowing down. His work continues to evolve with opportunities to experiment in other mediums (like printmaking via the Map(ping) Project at Arizona State University) and with series such as “Tewa Tales of Suspense,” where Garcia documents important Pueblo events in a narrative, comic book style on clay tiles (a nod to both his fondness for “Love and Rockets” by Los Bros. Hernandez, as well as Santa Clara Pueblo artists such as Pablita Velarde and Lois Gutierrez de la Cruz).

While it’s hard to predict exactly what direction Garcia’s art will go in next, since, as Garcia says, he is inspired by everything around him, one can be sure that his love for storytelling, appreciation for the methods of his craft and ability to blend the ancient with the present will continue to both inspire and inform. More at http://www.okuupin.com/

Chaco Culture National Historical Park was established as a national monument by presidential proclamation in 1907. This beautiful and isolated complex preserves the historical traces of the sacred Ancestral Pueblo culture. The park is also a Dark Skies certified location, one of the ideal places for astronomy and astrophotography. The Monument expanded to its present boundaries and park designation in 1980. The park is located in the open plains of Northwestern New Mexico, sharing borders with the Navajo Nation and BLM land. More at www.NPS.go/chcu

NPAF is a 501(c)3 non-profit dedicated to the promotion of the National Parks of the U.S. through creating dynamic opportunities for artworks that are based in our natural and historic heritage. Artists may apply with their proposals for this residency and find additional information at www.nationalparksartsfoundation.org. The AiR program is made possible through the philanthropic support of donors of all sorts ranging from corporate sponsors, small businesses, and art patrons and citizen-lovers of the Parks. NPAF is always seeking new partners for its wide-ranging artist-in-residence programs. More at www.NationalParksArtsFoundation.org

National Parks Arts Foundation


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